Structuralist versus Phenomenological Notions of “Intention”

Mingxian posted an excellent question late last week about the problem of intention. If we look at camera angles in Bleu or La Strada, and we perceive that they relate fortuitously to narrative themes (etc.), and we attribute that coherence to the “director’s intention,” are we leaving structuralism/semiotics and heading back to phenomenology?

My answer to her was no. I’m afraid the post got buried, so see the exchange for yourself here.

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About jeffreybardzell

Jeffrey Bardzell is an Associate Professor of HCI/Design in the School of Informatics and Computing at Indiana University - Bloomington. His research foci include critical design, interaction criticism, research through design, and digital creativity, which he approaches from a perspective that reflects his background in the humanities.
This entry was posted in Film, Phenomenology, Semiotics, Structuralism. Bookmark the permalink.

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